I hope their relationship becomes something like Ryan Coogler and Michael B. Taylor Russell is amazing as well, but the person that makes this film incredibly thrilling is Kelvin Harrison Jr.įor this being Kelvin Harrison Jr.’s second feature collaboration with Shults, he once again shines on another level. Alexa Demie! Does she have like, a lifelong contact with A24? Honestly, I'd love to watch her lead a movie, whether it’s an A24 project or not. The inescapable Lucas Hedges is great too. Brown is fantastic as the monarching masculine, demanding jock-ish father. Waves is mostly an ensemble piece packed with stellar performances from everyone. The way the kids are raised by their parents, the relationship they share, and their internal resentment translates over to their behavior. The family is what ties this together as a whole. Waves is a grand departure from his previous film stylistically and tonally, but maintains an element that bleeds into this effectively: the family dynamic.
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The last feature he did was It Comes at Night, a movie I thoroughly enjoyed for what it was, but he has struck gold with Waves. The more projects that director Trey Edward Shults tackles, the more ambitious he gets with his storytelling.
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The latter half of the film shifts over to Emily as a romance blossoms between her and an awkward (but endearing) student named Luke while she learns how to open up again following a tragic incident she feels guilty about. Shults pursues the story even further by switching the lens to his sister. wait, no! She’s pregnant! With all the odds stacked against Tyler, we watch as his once incredible life crumbles.
But that’s okay because he has a loving girlfriend he can depend on and.
The first half centers on Tyler, an athletic wrestling prodigy who is overworked by the pressure of his overtly masculine dad and blinded by his own ego, eventually blowing his arm out of commission in the middle of playoffs. Waves is a two-part epic drama primarily focused on an African-American family living in the city of Miami, specifically the teenage kids, a hyper-masculine blond son named Tyler and the quiet and timid daughter named Emily. Whitney Houston’s classic song “The Greatest Love of All” begins with, “I believe the children are our future // Teach them well and let them lead the way // Show them all the beauty they possess inside.” That’s pretty much the lyrical equivalent of the basis of this movie.
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